Tag Archive for freelance writing

Journaling and Freewriting

Just a few journals

Just a few journals – M E Powell

I start each day by writing in a journal. I write three pages a day – well, most days. I started writing three pages because of The Artist’s Way, a book by Julia Cameron (http://juliacameronlive.com/). She calls these “Morning Pages” but I’ve done them at all times of the day – and night – and middle of the night when I can’t sleep.

I’m lucky there’s no such thing as the Journal Police.

People often say, “How can you write three pages a day? I wouldn’t have time for that.” But I’d have to agree with Cameron: I wouldn’t have time if I didn’t.

I write fiction, nonfiction, children’s books, and poetry. My fiction and poetry appear in literary magazines and anthologies. Traditional publishers (Scholastic and soon Red Line) publish my children’s books. And my nonfiction appears in more than 70 consumer and trade markets across Canada and internationally. And I’ve won awards in all of them. On top of this I hold down a busy day-job, I’ve founded a professional association (PWAC-SK), and I’m a productive member of two writing groups and several associations.

On days when I don’t journal, I don’t accomplish half as much. Frankly, sometimes my journals contain three pages of worry. Or three pages of affirmations – even the same affirmation repeated 10 times just to make sure I get it. Sometimes I need that to get on with my writing day. Often I will try a few freewriting exercises and often I find ideas for a story, poem, or novel I’m writing, or the kernel of an idea for next time.

Over the past few years I’ve had many different kinds of journals: fancy cloth covered ones, pint-sized notebooks with pretty pictures on the cover, plain black ones, you name it.

These days writing three pages every day means I’ve been buying the cheapest, most ordinary coil notebooks I can find. The outside doesn’t matter; the act of writing is all that counts.

I love it that the word “journal” is now a verb.

Here are a few resources I like on journaling:

Writing Down the Bones – Natalie Goldberg:
http://books.google.ca/books/about/Writing_Down_the_Bones.html?id=9v5ZOh3liu0C

Other books by Natalie Goldberg: http://nataliegoldberg.com/books/

The Artist’s Way Julia Cameron
http://books.google.ca/books/about/The_Artist_s_Way.html?id=ZaC7Br7sMBMC

And just for fun – After the Artist’s Way – a blog by Janice MacLeod: http://aftertheartistsway.blogspot.ca/p/about.html

Do you journal? What’s your favorite resource? Click on the word “Comment” above to leave a comment. Let’s share our idea banks.

What I Learned at MagNet 2012: Ten strategies from Toronto’s magazine conference

Towering Reflections

Toronto Reflections (M E Powell)

Toronto’s four-day MagNet conference covers every aspect of the magazine world, from writing to digital content to ad sales. This year, I joined 1,300 people attending MagNet 2012.

It was my fourth MagNet, and as always I heard new ideas and confirmed some best-practices I use in my writing business.

As a PWAC-Sask delegate, I presented the strategies I took away from MagNet 2012 in Regina two weeks ago, and last weekend in Lethbridge. Here’s my summary:

1.  Trust your hunches. Many sessions used examples of stories rising from a journalist’s hunch or intuition, backed up by solid research.

2. Milk the data. In “Research in the Digital Age,” for example, Glen McGregor of the Ottawa Citizen talked about developing articles from data first, rather than interviews. This type of journalism can confirm the obvious, reveal the unexpected, and uncover stories even the subjects didn’t know were there. His many examples helped bring this session to life.

3. Consider the source. In “BS Detection,” our PWAC National president Craig Silverman of the Poynter Institute showed us many ways to check the information we see on Twitter, other social media, and websites, before we share it with others.

4. Go after the story. Presenter Bryan Segal of comScore Inc. used evidence and research in “Inside Data Intelligence” to prove Canadian viewers want relevant content that tells a story. In fact, content matters more than location on the page (rendering the old adage “above the fold” irrelevant.)

Sandra Phinney

Sandra Phinney (M E Powell)

5. Change the frame. Travel writer Sandra Phinney‘s workshop covered everything from methods to markets, complete with a slide show of her award-winning photography. Her tips on framing, diagonals and S-curves were a great refresher.

6. Know your audience – or your client. Ace copywriter Ed Gandia offered more tips than I can count, but one especially resonated with me: “Get clear about your ideal client.” Knowing what type of client you want to work for will help you spend less time on the wrong prospects.

7. Strategize, experiment, and improvise. Panel members in the “Device Divide: Matching Content to Platform” said we’re in a learning curve again, as our devices and ways to access media change. Neil Morton of 2forCouples.com said we live in a fragmented universe, and should try everything from websites to apps to social media like Facebook and Twitter. Kunal Gupta of Polar Mobile said “Forget digital; focus on mobile.” He pointed to the growing trend toward using mobile devices for magazine content.

8. Expect the audience to socialize and share copies and content – because it’s easy now, said panelist Stephanie Jackson of Zinio. People want to buy one subscription and read it on three devices. They want to discover, share (pin, clip, bookmark, etc.), socialize (see what others read), and personalize (make and view personal collections).

9. Develop stories across more media, said presenters like Bilbo Poynter in “Modern Tactics for Investigative Online Journalism.” Publications want articles with sidebars, photos, fact boxes, original documents for readers to peruse, videos, audio podcasts, and clips – and they want it for the same per-word rate. (I think photos and additional material deserve extra fees. What do you think?)

10. Do it over again. As Sue Bowness called her (excellent) session on the history of magazines, “Everything old is new again.” Whether it’s on the web or on a hand-held device, people still want good stories well told, and we want to trust what we read. There’s even a trend back to long-form journalism for readers to savour at our leisure, on any device.

I got the feeling the pendulum is swinging back from “citizen journalism” to informed citizen readers searching for solid content. We want immediate facts in short attention-grabbing stories, but when we’re interested in the material, we also want to be able to examine documents and see the proof for ourselves.

It was an optimistic conference. Even last fall I’d have called this crazy, but for the first time in about 10 years, my income is based mainly on writing articles. What do you think? Are the times more positive for magazines and magazine writers? Please leave a comment, and let’s share ideas.